CODED CULTURES Closing Event/ Party: 31.May 2009, MQ Hofstallungen - 31.05.2009

Starting with Pecha Kucha Night, followed by a Live-Performance of Artist-In-Residence Tetsuya Umeda and finally leading to contemporary electronic music featuring a selection of live-acts and DJs from the label Trust Records and the Japanese party format Minimal Tokyo.

(, , , , , , , , , )
CODED CULTURES Exhibition: 28.05. – 07.06. 2009, Freiraum/quartier21 – MQ - 28.05.2009

The exhibition of “CODED CULTURES - Exploring Creative Emergences” is presenting international artworks and projects related to the four sub-topics of the festival: Designing Complexity, Assembling Things, Expanding Locality and Creating Proto-Culture.
The presented positions from Japan, Austria and Europe are distinguished by creative practices which explore new forms of media integrated delineation- and knowledge-cultures. By this means they are situated on the intersection of disciplines and have actively integrated different cultural fields in their artistic development.

(, , , , , , , , )
CODED CULTURES Eröffnung: May 27, 2009 7 PM @ Freiraum/quartier21, MQ - 27.05.2009

Das Binationale Festival zur Untersuchung künstlerisch-kreativer Fähigkeitsprofile in medienintegrierten Entwurfskulturen CODED CULTURES wird am 27. Mai eröffnet.

(, , , , , , , , )
CODED CULTURES Pre-event: Workshop by Hiroshi Yoshioka and seminar on Open Source: Academy of Fine Arts, Vienna - Conceptual art department, 25.5.-27.5.2009 - 25.05.2009

The workshop by Hiroshi Yoshioka will focus on contemporary art and media art from Japan and other Asian countries in order to discuss economic, political and technological issues.

(, , , , , , )
CODED CULTURES Pre-event: ca. 2 jō - substitute of common places, Opening: May 25, 2009 7 PM, University of Applied Arts - 25.05.2009

The exhibition was developed within the course of Dr. Georg Russegger at the department of “Transmedia Arts”. Related to the context of CODED CULTURES and the »Austria-Japan Year 2009« the aim was to explore contents and practices of creative self-design and self-organization, to raise questions about binational cooperations of artists and artistic projects.

(, , , , , )
CODED CULTURES Associated Event: Japan Media Arts Festival - Anime Screenings: May 27th - June 07th, 2009, daily 10 am - 8 pm - 22.05.2009

In cooperation with “CODED CULTURES - Exploring Creative Emergences” the excellent animation works, awarded by the 11th Japan Media Arts Festival, will be presented in May 2009.

(, , , , , , )
files.5uper.net Eröffnung: Michalis Pichler/ Edgar Orlaineta “the lost e and the e to be lost” - July 31st, 2005

Am letzten Tag im Juli eröffnet in der Cuisine Digitale eine Ausstellung von Michalis Pichler/ Edgar Orlaineta mit anschliessender Musik von idleberg.com

SUNDAY, 31.7.2005: OPENING
Michalis Pichler/ Edgar Orlaineta
“the lost e and the e to be lost”

Start: 19:00h

  • Michalis Pichler is reading from his new book:
    “new york garbage flag profile”
    (Revolver, Contemporary Art Publishing, 2005)
  • afterwards: music from idleberg.com entertainment

5uper.net CUISINE DIGITALE
MuseumsQuartier Vienna
Quartier21/ TransEuropa Trakt Freiraum
1070 vienna, Museumsplatz 1
http://5uper.net/page/imprint

Exhibition: 1.-21.August

“The artist is never superior than his milieu or the society that affirms him. For his little head doesn’t produce the content of his creations, but processes – just as a sausage boiler processes meat- the worldview of his audience.” (George Grosz, John Heartfield 1919)

In their works shown here Edgar Orlaineta (*1972, Mexico City) and Michalis Pichler (*1972, Berlin) take as starting material cultural manifestations from two societies, to whom one would hardly attest commonality today: Vienna Coffee-House-Furniture from the Brilliant epoche of AustroHungary on the one hand and contemporary Coffee Cups, Pizza Boxes and other commodities from the United States of America on the other hand.

For constructing mariposa Edgar Orlaineta took apart two Thonet-like rocket chairs.
Later he threw it into the East River, NY, and watched it disappear.

In the new york garbage flag profile (published 2005 by Revolver, Frankfurt) Michalis Pichler documented and collected discarded commodities, which carried depictions of the American Flag, from public space in NYC, and evaluated them with ethnographic and poetic criteria.

“I like America and America likes itself” is a living room with stars and stripes all over.

Links

[http://www.inforeignland.com/m/](http://www.inforeignland.com/m/ “Webseite von Michalis Pichler”)

[MQ Programmdatenbank zu diesem Event](http://www.mqw.at/programmdatenbank/index.phtml?cc=mq&lang=2&von=2005-07-31&tmp=det&TID=1389 “Michalis Pichler im MQ Wien”)

[Michalis Pichler Coded Cultures Submission](http://codedcultures.5uper.net/index.php?lang=de&c=contributions&sub=pichler “Flag Profile auf der Coded Cultures Seite”)

imperator
Tags: , , , , , imperator cccccccc
ccccccc
c
eXTReMe Tracker